Physical Show:

March 31 - April 2, 2023 at Portland Civic Hall
[ Portland, Victoria ]

On-line Show:

On-line until April 16th 


Where Is by Marijke Lambregtse

Features

ARTIST NOTES: None

DIMENSIONS (Height - 137.00 cm X Width - 122.00 cm )
MEDIUM ON BASE Mixed Media on Canvas
GENRE Abstract
REGISTERED NRN # 000-44288-0138-01
COPYRIGHT © Marijke Lambregtse
PRIZES AND AWARDS No Awards
STATUS
View At Home

 

Other images
 

Artist: Marijke Lambregtse



ARTIST BIO

‘A work is born from a kind of confused emotion. The work is an attempt to elucidate that emotion.’ Puvis de Chavannes

‘An abstract language that reveals references to an aesthetic figuration with a surreal flavour. This is the art of Marijke Lambregtse, an Australian based contemporary artist of Dutch origin, who focuses her artistic research on the relationship between man and the world, in its most hidden aspects. Her paintings are often characterized by the presence of human-like figures, whose facial features vanish overwhelmed by fields of colour, annihilating gestural communication and leaving the latter in complete control of emotions.

An alternation of more gestural brushstrokes and more detailed and sharply described elements, give the work a pleasant dynamism. Looking at Marijke Lambregtse's paintings, we feel out of place, in awe, as if we have crossed the threshold into another world and we are suddenly strangers.

The recent period of isolation due to the pandemic has become a great source of inspiration and reflection for Marijke Lambregtse, particularly with regard to an unpredictable future that is often taken for granted, in the apparent conviction that we can know it’. (Francesca Brunello)

A professional dancer, teacher and choreographer before crossing over to studying visual art and gaining a BVA majoring in sculpture at Griffith University in Brisbane in the nineties she was awarded the Karl and Gertrude Langer Award which resulted in a solo exhibition at the Brisbane Town Hall gallery.

Since then she been exhibiting regularly with several solo exhibitions in Brisbane and overseas

She tries to harmoniously merge message and aesthetics in her work. In addition to acrylic paint and recycled materials, text and texture play a crucial role in bringing this about.

Awarded the Power of Creativity Art Prize by Contemporary Curator Art Magazine in 2021
Highly Commended in the Abstraction Exhibition Royal Queensland Art Society
Finalist in the Lethbridge 20000 Small Scale Art Award in 2021, 2020 and 2019 as well as a finalist in the Rotary Spectacular Brisbane in 2019 and 2018

‘A work is born from a kind of confused emotion. The work is an attempt to elucidate that emotion.’ Puvis de Chavannes

‘An abstract language that reveals references to an aesthetic figuration with a surreal flavour. This is the art of Marijke Lambregtse, an Australian based contemporary artist of Dutch origin, who focuses her artistic research on the relationship between man and the world, in its most hidden aspects. Her paintings are often characterized by the presence of human-like figures, whose facial features vanish overwhelmed by fields of colour, annihilating gestural communication and leaving the latter in complete control of emotions.

An alternation of more gestural brushstrokes and more detailed and sharply described elements, give the work a pleasant dynamism. Looking at Marijke Lambregtse's paintings, we feel out of place, in awe, as if we have crossed the threshold into another world and we are suddenly strangers.

The recent period of isolation due to the pandemic has become a great source of inspiration and reflection for Marijke Lambregtse, particularly with regard to an unpredictable future that is often taken for granted, in the apparent conviction that we can know it’. (Francesca Brunello)

A professional dancer, teacher and choreographer before crossing over to studying visual art and gaining a BVA majoring in sculpture at Griffith University in Brisbane in the nineties she was awarded the Karl and Gertrude Langer Award which resulted in a solo exhibition at the Brisbane Town Hall gallery.

Since then she been exhibiting regularly with several solo exhibitions in Brisbane and overseas

She tries to harmoniously merge message and aesthetics in her work. In addition to acrylic paint and recycled materials, text and texture play a crucial role in bringing this about.

Awarded the Power of Creativity Art Prize by Contemporary Curator Art Magazine in 2021
Highly Commended in the Abstraction Exhibition Royal Queensland Art Society
Finalist in the Lethbridge 20000 Small Scale Art Award in 2021, 2020 and 2019 as well as a finalist in the Rotary Spectacular Brisbane in 2019 and 2018

‘A work is born from a kind of confused emotion. The work is an attempt to elucidate that emotion.’ Puvis de Chavannes

‘An abstract language that reveals references to an aesthetic figuration with a surreal flavour. This is the art of Marijke Lambregtse, an Australian based contemporary artist of Dutch origin, who focuses her artistic research on the relationship between man and the world, in its most hidden aspects. Her paintings are often characterized by the presence of human-like figures, whose facial features vanish overwhelmed by fields of colour, annihilating gestural communication and leaving the latter in complete control of emotions.

An alternation of more gestural brushstrokes and more detailed and sharply described elements, give the work a pleasant dynamism. Looking at Marijke Lambregtse's paintings, we feel out of place, in awe, as if we have crossed the threshold into another world and we are suddenly strangers.

The recent period of isolation due to the pandemic has become a great source of inspiration and reflection for Marijke Lambregtse, particularly with regard to an unpredictable future that is often taken for granted, in the apparent conviction that we can know it’. (Francesca Brunello)

A professional dancer, teacher and choreographer before crossing over to studying visual art and gaining a BVA majoring in sculpture at Griffith University in Brisbane in the nineties she was awarded the Karl and Gertrude Langer Award which resulted in a solo exhibition at the Brisbane Town Hall gallery.

Since then she been exhibiting regularly with several solo exhibitions in Brisbane and overseas

She tries to harmoniously merge message and aesthetics in her work. In addition to acrylic paint and recycled materials, text and texture play a crucial role in bringing this about.

Awarded the Power of Creativity Art Prize by Contemporary Curator Art Magazine in 2021
Highly Commended in the Abstraction Exhibition Royal Queensland Art Society
Finalist in the Lethbridge 20000 Small Scale Art Award in 2021, 2020 and 2019 as well as a finalist in the Rotary Spectacular Brisbane in 2019 and 2018

‘A work is born from a kind of confused emotion. The work is an attempt to elucidate that emotion.’ Puvis de Chavannes

‘An abstract language that reveals references to an aesthetic figuration with a surreal flavour. This is the art of Marijke Lambregtse, an Australian based contemporary artist of Dutch origin, who focuses her artistic research on the relationship between man and the world, in its most hidden aspects. Her paintings are often characterized by the presence of human-like figures, whose facial features vanish overwhelmed by fields of colour, annihilating gestural communication and leaving the latter in complete control of emotions.

An alternation of more gestural brushstrokes and more detailed and sharply described elements, give the work a pleasant dynamism. Looking at Marijke Lambregtse's paintings, we feel out of place, in awe, as if we have crossed the threshold into another world and we are suddenly strangers.

The recent period of isolation due to the pandemic has become a great source of inspiration and reflection for Marijke Lambregtse, particularly with regard to an unpredictable future that is often taken for granted, in the apparent conviction that we can know it’. (Francesca Brunello)

A professional dancer, teacher and choreographer before crossing over to studying visual art and gaining a BVA majoring in sculpture at Griffith University in Brisbane in the nineties she was awarded the Karl and Gertrude Langer Award which resulted in a solo exhibition at the Brisbane Town Hall gallery.

Since then she been exhibiting regularly with several solo exhibitions in Brisbane and overseas

She tries to harmoniously merge message and aesthetics in her work. In addition to acrylic paint and recycled materials, text and texture play a crucial role in bringing this about.

Awarded the Power of Creativity Art Prize by Contemporary Curator Art Magazine in 2021
Highly Commended in the Abstraction Exhibition Royal Queensland Art Society
Finalist in the Lethbridge 20000 Small Scale Art Award in 2021, 2020 and 2019 as well as a finalist in the Rotary Spectacular Brisbane in 2019 and 2018

‘A work is born from a kind of confused emotion. The work is an attempt to elucidate that emotion.’ Puvis de Chavannes

‘An abstract language that reveals references to an aesthetic figuration with a surreal flavour. This is the art of Marijke Lambregtse, an Australian based contemporary artist of Dutch origin, who focuses her artistic research on the relationship between man and the world, in its most hidden aspects. Her paintings are often characterized by the presence of human-like figures, whose facial features vanish overwhelmed by fields of colour, annihilating gestural communication and leaving the latter in complete control of emotions.

An alternation of more gestural brushstrokes and more detailed and sharply described elements, give the work a pleasant dynamism. Looking at Marijke Lambregtse's paintings, we feel out of place, in awe, as if we have crossed the threshold into another world and we are suddenly strangers.

The recent period of isolation due to the pandemic has become a great source of inspiration and reflection for Marijke Lambregtse, particularly with regard to an unpredictable future that is often taken for granted, in the apparent conviction that we can know it’. (Francesca Brunello)

A professional dancer, teacher and choreographer before crossing over to studying visual art and gaining a BVA majoring in sculpture at Griffith University in Brisbane in the nineties she was awarded the Karl and Gertrude Langer Award which resulted in a solo exhibition at the Brisbane Town Hall gallery.

Since then she been exhibiting regularly with several solo exhibitions in Brisbane and overseas

She tries to harmoniously merge message and aesthetics in her work. In addition to acrylic paint and recycled materials, text and texture play a crucial role in bringing this about.

Awarded the Power of Creativity Art Prize by Contemporary Curator Art Magazine in 2021
Highly Commended in the Abstraction Exhibition Royal Queensland Art Society
Finalist in the Lethbridge 20000 Small Scale Art Award in 2021, 2020 and 2019 as well as a finalist in the Rotary Spectacular Brisbane in 2019 and 2018

‘A work is born from a kind of confused emotion. The work is an attempt to elucidate that emotion.’ Puvis de Chavannes

‘An abstract language that reveals references to an aesthetic figuration with a surreal flavour. This is the art of Marijke Lambregtse, an Australian based contemporary artist of Dutch origin, who focuses her artistic research on the relationship between man and the world, in its most hidden aspects. Her paintings are often characterized by the presence of human-like figures, whose facial features vanish overwhelmed by fields of colour, annihilating gestural communication and leaving the latter in complete control of emotions.

An alternation of more gestural brushstrokes and more detailed and sharply described elements, give the work a pleasant dynamism. Looking at Marijke Lambregtse's paintings, we feel out of place, in awe, as if we have crossed the threshold into another world and we are suddenly strangers.

The recent period of isolation due to the pandemic has become a great source of inspiration and reflection for Marijke Lambregtse, particularly with regard to an unpredictable future that is often taken for granted, in the apparent conviction that we can know it’. (Francesca Brunello)

A professional dancer, teacher and choreographer before crossing over to studying visual art and gaining a BVA majoring in sculpture at Griffith University in Brisbane in the nineties she was awarded the Karl and Gertrude Langer Award which resulted in a solo exhibition at the Brisbane Town Hall gallery.

Since then she been exhibiting regularly with several solo exhibitions in Brisbane and overseas

She tries to harmoniously merge message and aesthetics in her work. In addition to acrylic paint and recycled materials, text and texture play a crucial role in bringing this about.

Awarded the Power of Creativity Art Prize by Contemporary Curator Art Magazine in 2021
Highly Commended in the Abstraction Exhibition Royal Queensland Art Society
Finalist in the Lethbridge 20000 Small Scale Art Award in 2021, 2020 and 2019 as well as a finalist in the Rotary Spectacular Brisbane in 2019 and 2018

‘A work is born from a kind of confused emotion. The work is an attempt to elucidate that emotion.’ Puvis de Chavannes

‘An abstract language that reveals references to an aesthetic figuration with a surreal flavour. This is the art of Marijke Lambregtse, an Australian based contemporary artist of Dutch origin, who focuses her artistic research on the relationship between man and the world, in its most hidden aspects. Her paintings are often characterized by the presence of human-like figures, whose facial features vanish overwhelmed by fields of colour, annihilating gestural communication and leaving the latter in complete control of emotions.

An alternation of more gestural brushstrokes and more detailed and sharply described elements, give the work a pleasant dynamism. Looking at Marijke Lambregtse's paintings, we feel out of place, in awe, as if we have crossed the threshold into another world and we are suddenly strangers.

The recent period of isolation due to the pandemic has become a great source of inspiration and reflection for Marijke Lambregtse, particularly with regard to an unpredictable future that is often taken for granted, in the apparent conviction that we can know it’. (Francesca Brunello)

A professional dancer, teacher and choreographer before crossing over to studying visual art and gaining a BVA majoring in sculpture at Griffith University in Brisbane in the nineties she was awarded the Karl and Gertrude Langer Award which resulted in a solo exhibition at the Brisbane Town Hall gallery.

Since then she been exhibiting regularly with several solo exhibitions in Brisbane and overseas

She tries to harmoniously merge message and aesthetics in her work. In addition to acrylic paint and recycled materials, text and texture play a crucial role in bringing this about.

Awarded the Power of Creativity Art Prize by Contemporary Curator Art Magazine in 2021
Highly Commended in the Abstraction Exhibition Royal Queensland Art Society
Finalist in the Lethbridge 20000 Small Scale Art Award in 2021, 2020 and 2019 as well as a finalist in the Rotary Spectacular Brisbane in 2019 and 2018

‘A work is born from a kind of confused emotion. The work is an attempt to elucidate that emotion.’ Puvis de Chavannes

‘An abstract language that reveals references to an aesthetic figuration with a surreal flavour. This is the art of Marijke Lambregtse, an Australian based contemporary artist of Dutch origin, who focuses her artistic research on the relationship between man and the world, in its most hidden aspects. Her paintings are often characterized by the presence of human-like figures, whose facial features vanish overwhelmed by fields of colour, annihilating gestural communication and leaving the latter in complete control of emotions.

An alternation of more gestural brushstrokes and more detailed and sharply described elements, give the work a pleasant dynamism. Looking at Marijke Lambregtse's paintings, we feel out of place, in awe, as if we have crossed the threshold into another world and we are suddenly strangers.

The recent period of isolation due to the pandemic has become a great source of inspiration and reflection for Marijke Lambregtse, particularly with regard to an unpredictable future that is often taken for granted, in the apparent conviction that we can know it’. (Francesca Brunello)

A professional dancer, teacher and choreographer before crossing over to studying visual art and gaining a BVA majoring in sculpture at Griffith University in Brisbane in the nineties she was awarded the Karl and Gertrude Langer Award which resulted in a solo exhibition at the Brisbane Town Hall gallery.

Since then she been exhibiting regularly with several solo exhibitions in Brisbane and overseas

She tries to harmoniously merge message and aesthetics in her work. In addition to acrylic paint and recycled materials, text and texture play a crucial role in bringing this about.

Awarded the Power of Creativity Art Prize by Contemporary Curator Art Magazine in 2021
Highly Commended in the Abstraction Exhibition Royal Queensland Art Society
Finalist in the Lethbridge 20000 Small Scale Art Award in 2021, 2020 and 2019 as well as a finalist in the Rotary Spectacular Brisbane in 2019 and 2018

‘A work is born from a kind of confused emotion. The work is an attempt to elucidate that emotion.’ Puvis de Chavannes

‘An abstract language that reveals references to an aesthetic figuration with a surreal flavour. This is the art of Marijke Lambregtse, an Australian based contemporary artist of Dutch origin, who focuses her artistic research on the relationship between man and the world, in its most hidden aspects. Her paintings are often characterized by the presence of human-like figures, whose facial features vanish overwhelmed by fields of colour, annihilating gestural communication and leaving the latter in complete control of emotions.

An alternation of more gestural brushstrokes and more detailed and sharply described elements, give the work a pleasant dynamism. Looking at Marijke Lambregtse's paintings, we feel out of place, in awe, as if we have crossed the threshold into another world and we are suddenly strangers.

The recent period of isolation due to the pandemic has become a great source of inspiration and reflection for Marijke Lambregtse, particularly with regard to an unpredictable future that is often taken for granted, in the apparent conviction that we can know it’. (Francesca Brunello)

A professional dancer, teacher and choreographer before crossing over to studying visual art and gaining a BVA majoring in sculpture at Griffith University in Brisbane in the nineties she was awarded the Karl and Gertrude Langer Award which resulted in a solo exhibition at the Brisbane Town Hall gallery.

Since then she been exhibiting regularly with several solo exhibitions in Brisbane and overseas

She tries to harmoniously merge message and aesthetics in her work. In addition to acrylic paint and recycled materials, text and texture play a crucial role in bringing this about.

Awarded the Power of Creativity Art Prize by Contemporary Curator Art Magazine in 2021
Highly Commended in the Abstraction Exhibition Royal Queensland Art Society
Finalist in the Lethbridge 20000 Small Scale Art Award in 2021, 2020 and 2019 as well as a finalist in the Rotary Spectacular Brisbane in 2019 and 2018

‘A work is born from a kind of confused emotion. The work is an attempt to elucidate that emotion.’ Puvis de Chavannes

‘An abstract language that reveals references to an aesthetic figuration with a surreal flavour. This is the art of Marijke Lambregtse, an Australian based contemporary artist of Dutch origin, who focuses her artistic research on the relationship between man and the world, in its most hidden aspects. Her paintings are often characterized by the presence of human-like figures, whose facial features vanish overwhelmed by fields of colour, annihilating gestural communication and leaving the latter in complete control of emotions.

An alternation of more gestural brushstrokes and more detailed and sharply described elements, give the work a pleasant dynamism. Looking at Marijke Lambregtse's paintings, we feel out of place, in awe, as if we have crossed the threshold into another world and we are suddenly strangers.

The recent period of isolation due to the pandemic has become a great source of inspiration and reflection for Marijke Lambregtse, particularly with regard to an unpredictable future that is often taken for granted, in the apparent conviction that we can know it’. (Francesca Brunello)

A professional dancer, teacher and choreographer before crossing over to studying visual art and gaining a BVA majoring in sculpture at Griffith University in Brisbane in the nineties she was awarded the Karl and Gertrude Langer Award which resulted in a solo exhibition at the Brisbane Town Hall gallery.

Since then she been exhibiting regularly with several solo exhibitions in Brisbane and overseas

She tries to harmoniously merge message and aesthetics in her work. In addition to acrylic paint and recycled materials, text and texture play a crucial role in bringing this about.

Awarded the Power of Creativity Art Prize by Contemporary Curator Art Magazine in 2021
Highly Commended in the Abstraction Exhibition Royal Queensland Art Society
Finalist in the Lethbridge 20000 Small Scale Art Award in 2021, 2020 and 2019 as well as a finalist in the Rotary Spectacular Brisbane in 2019 and 2018

‘A work is born from a kind of confused emotion. The work is an attempt to elucidate that emotion.’ Puvis de Chavannes

‘An abstract language that reveals references to an aesthetic figuration with a surreal flavour. This is the art of Marijke Lambregtse, an Australian based contemporary artist of Dutch origin, who focuses her artistic research on the relationship between man and the world, in its most hidden aspects. Her paintings are often characterized by the presence of human-like figures, whose facial features vanish overwhelmed by fields of colour, annihilating gestural communication and leaving the latter in complete control of emotions.

An alternation of more gestural brushstrokes and more detailed and sharply described elements, give the work a pleasant dynamism. Looking at Marijke Lambregtse's paintings, we feel out of place, in awe, as if we have crossed the threshold into another world and we are suddenly strangers.

The recent period of isolation due to the pandemic has become a great source of inspiration and reflection for Marijke Lambregtse, particularly with regard to an unpredictable future that is often taken for granted, in the apparent conviction that we can know it’. (Francesca Brunello)

A professional dancer, teacher and choreographer before crossing over to studying visual art and gaining a BVA majoring in sculpture at Griffith University in Brisbane in the nineties she was awarded the Karl and Gertrude Langer Award which resulted in a solo exhibition at the Brisbane Town Hall gallery.

Since then she been exhibiting regularly with several solo exhibitions in Brisbane and overseas

She tries to harmoniously merge message and aesthetics in her work. In addition to acrylic paint and recycled materials, text and texture play a crucial role in bringing this about.

Awarded the Power of Creativity Art Prize by Contemporary Curator Art Magazine in 2021
Highly Commended in the Abstraction Exhibition Royal Queensland Art Society
Finalist in the Lethbridge 20000 Small Scale Art Award in 2021, 2020 and 2019 as well as a finalist in the Rotary Spectacular Brisbane in 2019 and 2018

‘A work is born from a kind of confused emotion. The work is an attempt to elucidate that emotion.’ Puvis de Chavannes

‘An abstract language that reveals references to an aesthetic figuration with a surreal flavour. This is the art of Marijke Lambregtse, an Australian based contemporary artist of Dutch origin, who focuses her artistic research on the relationship between man and the world, in its most hidden aspects. Her paintings are often characterized by the presence of human-like figures, whose facial features vanish overwhelmed by fields of colour, annihilating gestural communication and leaving the latter in complete control of emotions.

An alternation of more gestural brushstrokes and more detailed and sharply described elements, give the work a pleasant dynamism. Looking at Marijke Lambregtse's paintings, we feel out of place, in awe, as if we have crossed the threshold into another world and we are suddenly strangers.

The recent period of isolation due to the pandemic has become a great source of inspiration and reflection for Marijke Lambregtse, particularly with regard to an unpredictable future that is often taken for granted, in the apparent conviction that we can know it’. (Francesca Brunello)

A professional dancer, teacher and choreographer before crossing over to studying visual art and gaining a BVA majoring in sculpture at Griffith University in Brisbane in the nineties she was awarded the Karl and Gertrude Langer Award which resulted in a solo exhibition at the Brisbane Town Hall gallery.

Since then she been exhibiting regularly with several solo exhibitions in Brisbane and overseas

She tries to harmoniously merge message and aesthetics in her work. In addition to acrylic paint and recycled materials, text and texture play a crucial role in bringing this about.

Awarded the Power of Creativity Art Prize by Contemporary Curator Art Magazine in 2021
Highly Commended in the Abstraction Exhibition Royal Queensland Art Society
Finalist in the Lethbridge 20000 Small Scale Art Award in 2021, 2020 and 2019 as well as a finalist in the Rotary Spectacular Brisbane in 2019 and 2018

‘A work is born from a kind of confused emotion. The work is an attempt to elucidate that emotion.’ Puvis de Chavannes

‘An abstract language that reveals references to an aesthetic figuration with a surreal flavour. This is the art of Marijke Lambregtse, an Australian based contemporary artist of Dutch origin, who focuses her artistic research on the relationship between man and the world, in its most hidden aspects. Her paintings are often characterized by the presence of human-like figures, whose facial features vanish overwhelmed by fields of colour, annihilating gestural communication and leaving the latter in complete control of emotions.

An alternation of more gestural brushstrokes and more detailed and sharply described elements, give the work a pleasant dynamism. Looking at Marijke Lambregtse's paintings, we feel out of place, in awe, as if we have crossed the threshold into another world and we are suddenly strangers.

The recent period of isolation due to the pandemic has become a great source of inspiration and reflection for Marijke Lambregtse, particularly with regard to an unpredictable future that is often taken for granted, in the apparent conviction that we can know it’. (Francesca Brunello)

A professional dancer, teacher and choreographer before crossing over to studying visual art and gaining a BVA majoring in sculpture at Griffith University in Brisbane in the nineties she was awarded the Karl and Gertrude Langer Award which resulted in a solo exhibition at the Brisbane Town Hall gallery.

Since then she been exhibiting regularly with several solo exhibitions in Brisbane and overseas

She tries to harmoniously merge message and aesthetics in her work. In addition to acrylic paint and recycled materials, text and texture play a crucial role in bringing this about.

Awarded the Power of Creativity Art Prize by Contemporary Curator Art Magazine in 2021
Highly Commended in the Abstraction Exhibition Royal Queensland Art Society
Finalist in the Lethbridge 20000 Small Scale Art Award in 2021, 2020 and 2019 as well as a finalist in the Rotary Spectacular Brisbane in 2019 and 2018

‘A work is born from a kind of confused emotion. The work is an attempt to elucidate that emotion.’ Puvis de Chavannes

‘An abstract language that reveals references to an aesthetic figuration with a surreal flavour. This is the art of Marijke Lambregtse, an Australian based contemporary artist of Dutch origin, who focuses her artistic research on the relationship between man and the world, in its most hidden aspects. Her paintings are often characterized by the presence of human-like figures, whose facial features vanish overwhelmed by fields of colour, annihilating gestural communication and leaving the latter in complete control of emotions.

An alternation of more gestural brushstrokes and more detailed and sharply described elements, give the work a pleasant dynamism. Looking at Marijke Lambregtse's paintings, we feel out of place, in awe, as if we have crossed the threshold into another world and we are suddenly strangers.

The recent period of isolation due to the pandemic has become a great source of inspiration and reflection for Marijke Lambregtse, particularly with regard to an unpredictable future that is often taken for granted, in the apparent conviction that we can know it’. (Francesca Brunello)

A professional dancer, teacher and choreographer before crossing over to studying visual art and gaining a BVA majoring in sculpture at Griffith University in Brisbane in the nineties she was awarded the Karl and Gertrude Langer Award which resulted in a solo exhibition at the Brisbane Town Hall gallery.

Since then she been exhibiting regularly with several solo exhibitions in Brisbane and overseas

She tries to harmoniously merge message and aesthetics in her work. In addition to acrylic paint and recycled materials, text and texture play a crucial role in bringing this about.

Awarded the Power of Creativity Art Prize by Contemporary Curator Art Magazine in 2021
Highly Commended in the Abstraction Exhibition Royal Queensland Art Society
Finalist in the Lethbridge 20000 Small Scale Art Award in 2021, 2020 and 2019 as well as a finalist in the Rotary Spectacular Brisbane in 2019 and 2018

‘A work is born from a kind of confused emotion. The work is an attempt to elucidate that emotion.’ Puvis de Chavannes

‘An abstract language that reveals references to an aesthetic figuration with a surreal flavour. This is the art of Marijke Lambregtse, an Australian based contemporary artist of Dutch origin, who focuses her artistic research on the relationship between man and the world, in its most hidden aspects. Her paintings are often characterized by the presence of human-like figures, whose facial features vanish overwhelmed by fields of colour, annihilating gestural communication and leaving the latter in complete control of emotions.

An alternation of more gestural brushstrokes and more detailed and sharply described elements, give the work a pleasant dynamism. Looking at Marijke Lambregtse's paintings, we feel out of place, in awe, as if we have crossed the threshold into another world and we are suddenly strangers.

The recent period of isolation due to the pandemic has become a great source of inspiration and reflection for Marijke Lambregtse, particularly with regard to an unpredictable future that is often taken for granted, in the apparent conviction that we can know it’. (Francesca Brunello)

A professional dancer, teacher and choreographer before crossing over to studying visual art and gaining a BVA majoring in sculpture at Griffith University in Brisbane in the nineties she was awarded the Karl and Gertrude Langer Award which resulted in a solo exhibition at the Brisbane Town Hall gallery.

Since then she been exhibiting regularly with several solo exhibitions in Brisbane and overseas

She tries to harmoniously merge message and aesthetics in her work. In addition to acrylic paint and recycled materials, text and texture play a crucial role in bringing this about.

Awarded the Power of Creativity Art Prize by Contemporary Curator Art Magazine in 2021
Highly Commended in the Abstraction Exhibition Royal Queensland Art Society
Finalist in the Lethbridge 20000 Small Scale Art Award in 2021, 2020 and 2019 as well as a finalist in the Rotary Spectacular Brisbane in 2019 and 2018